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Its upbeat yet languid production makes for an ethereal track that resembles the work of ‘80s pop artist, Kate Bush. “Turning Wheel” by Spellling, the Oakland artist otherwise known as Chrystia Cabral, is the titular track of her third studio album. Little Richard was just one of many Black artists who triumphed in the face of adversity and racism to create one of the most world-renowned and celebrated music genres of all time. With the simple swing beat and melodic piano work with a toe-tapping string bass to match, every aspect of modern rock music is foreshadowed in this track.
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Little Richard’s legacy in laying the foundations of rock ‘n’ roll is indisputable. “Good Golly Miss Molly” by Little Richard As she sings about “a love worth more than gold” her voice mimics the intense feelings of yearning and peace the lyrics discuss. Her dramatic silky vocals over the jazzy production have a cinematic “end credit” quality to them that feels serene. With “I Am Blessed,” a track from her third album, “Broadway-Blues-Ballads,” Nina Simone is in perfect form.
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“What a Wonderful World” by Louis ArmstrongĪs Louis Armstrong quaintly reflects on the aspects of this world and what makes it wonderful, he settles on the idea that it is people and the legacies they leave behind that allow the world to simply be “wonderful.” “BIGGER” by Beyoncéīeyoncé’s call to see that our purpose is bigger than our individual experience is woven into the lyrics of “BIGGER.” This song is one to pick you up off the ground and help you “step in your essence” and rise to meet your truest potential so that you may pass on what you have learned in this life. One topic the song touches on heavily is freeing people from the constraints of the world and revealing the power within the African diaspora. Nas and Lauryn Hill dive into what they would do “if they ruled the world.” This song touches on the type of legacy both Nas and Lauryn Hill would like to leave behind if they had all of the power to do so in the world. “If I Ruled the World” by Nas and Lauryn Hill He continues by explaining how such chains hinder individuals and prohibit them from leaving behind a true legacy that holds value. ColeĬole explores the culture of people equating success to materialistic items such as expensive chains. As our culture develops and shifts, it will always rely on aspects of our history. Starting with advice from an older and wise woman, Beyoncé and Jay-Z lay out various aspects of Black history, such as the Chitlin Circuit and cornrows, to paint a picture of where Black people and our culture stand now. The lyrics are over an upbeat production, but details the various members of the Carter family and how they carried the name. when Tupac comes in the studio very upset and proceeds to explain to us that we had to take out Yo-Yo’s part because a person by the name of Pat Charbonet would not give us the clearance to use that part in the song, so we had no choice but to take it out and that’s where even the Richard Pryor excerpt, which you will hear, is completely off the released version of the song.“Legacy” shares Jay-Z’s thoughts on what legacy he will leave his children. The day after we had finished up on everything we were in Echo Sound in L.A. The sample was ‘Wouldn’t be a damn thang without a woman,’ which was taken from the original song from Ice Cube’s ‘This Is A Man’s World,’ with the scratching done, of course, by yours truly DJ King Assassin. “Originally, the hook was a sample of a song from the legendary rapper and friend of both of ours named Yo-Yo, from Ice Cube’s Lench Mob. “The original version of ‘Dear Mama’ was far different than the version that was released, as far as the hook was constructed,” DJ King Assassin explained in a note with the track via Ambrosia for Heads. The original version of “Dear Mama” includes vocals from Yo-Yo and some other samples unknown previously. Now a version of the song that is said to predate the popular recording has surfaced courtesy of Tupac’s early collaborator DJ King Assassin.