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In a world that is still awakening to mental health issues, The Great Artist paints an audacious picture of a caged mind. The Great Artist extricates himself and all of his personalities from the great suffering that enabled them to make art, allowing medical intervention instead. It is the climax that is truly brilliant - one that earned the film a consideration for the Live Action Short Film shortlist for 93rd Academy Awards. His manager Perry, played by Marimar Vega, says “every star needs darkness to shine”, alluding to the fact that the artist’s distinction is the result of his psychological suffering, one that he himself acknowledges in the end. His team is not unaware of his affliction. Matthew Postlethwaite’s ‘Great Artist’ is a gifted man who finds himself feeling like an imposter. Postlethwaite, who has produced the short and also written its screenplay, seems to convey that he feels trapped, like he is an imposter, hiding behind his own oeuvre, begging for help. There is a deep void, a fear that reflects in his eyes. When he paints, he allows his identities to shine, acutely aware that the Great Artist - the one who eventually presents the artworks to the world - is but a cumulation of every single one of them. He is also a woman - sitting daintily by the window, sipping her tea and making a self-portrait, He is a child with a drastically different perspective of art. He dedicates one of his artworks to their all-consuming relationship. He is a lover, madly attached to his girlfriend Angela (played by Rain Valdez), whom he calls his “reflection”. In his moments of vulnerability, he finds himself painting, creating a masterpiece, letting all of his personalities creep out one by one. And in another, he appears sheepish about having pulled that stunt. Postlethwaite, therefore, does an excellent job walking a tightrope that hangs this way and that, keeping a balance between creating world-class art and silently suffering like a prisoner inside his own head.Ī post shared by Yellowstone Int Film Festival one of the scenes, he nervously flirts with his therapist, looking tentatively into his eyes before leaning in for a kiss. Inside, there’s pandemonium, and outside, he has to keep up with the sham of having it all nicely put together. He suffers from Dissociative Identity Disorder (DID), and his gift of art hangs precariously inside his uneasy mind. It is established fairly early that Postlethwaite’s Great Artist is one of his alter identities. It makes for an uncomfortable watch - a trigger gushing through the sluices of a complex mind wrestling with the idea of greatness and having to fight with demons instead. The Great Artist, currently screening at Yellowstone International Film Festival, provides a tempestuous gaze into the mind of a gifted man. “I did not want to go a lot of the people there, I don’t connect to them… I don’t want to let anybody down.”